Line: Muscial sigs
In article <325qqu$oj...@gagme.wwa.com>, CHRISTOPHER HOLLAND KING <chk...@unity.ncsu.edu> wrote: >I volunteer. > > > |\ __3__ | >____|\_______________|\\_______________|_______'__|__`___|____|___|___________ >____|/___3_|________@'_\|__|_____|_____|___|___|__|__|___|_|_@'___|___|____|__ >___/|____-_|____________|__|_____|____@'___|__@'_@'_@'___|_|_____@'___|____|__ >__|_/_\__4_|___|_______@'__|____O'_________|____________@'_|_________@'____|__ >___\|/_____|___|___________|_______________|_______________|_______________|__ > / O' bob...@wwa.com > >I added a time signature (in 3/4 time), rounded the notes with apostrophes, >made sure that there were three beats per measure, and added a triplet. >(For those who are counting, a triplet is counted as two beats) > >I knew all these years in the back of a choir room would pay off. Looks like you've got a quaver triplet which is equal in length to one crotchet. Thus the remainder of the bar is a minim: |\ __3__ | ____|\_______________|\\_______________|_______'__|__`___|_____|___|__________ ____|/___3_|________@'_\|__|_____|_____|___|___|__|__|___|_|__@'___|___|___|__ ___/|____-_|____________|__|_____|____@'___|__@'_@'_@'___|_|______@'___|___|__ __|_/_\__4_|___|_______@'__|____O'_________|____________O'_|__________@'___|__ ___\|/_____|___|___________|_______________|_______________|_______________|__ / O' bob...@wwa.com The last bar also looked a bit squashed to the left so I shifted the notes 1 char to the right. Regards, Ryan. ---------------------------------------------------------------------------- Parallel lines DO meet but only incognito. Ryan Harding, Applied Optics, UKC ---------------------------------------------------------------------------- "Now no-one's sitting on the fence, whose garden will we end up sitting in?" - John Wesley Harding, "The Person You Are" from "The Name Above The Title" ----------------------------------------------------------------------------
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X-Google-Language: ENGLISH,ASCII-7-bit X-Google-Thread: fbb9d,d1152e73d3a6986f X-Google-Attributes: gidfbb9d,public X-Google-Thread: f996b,d1152e73d3a6986f X-Google-Attributes: gidf996b,public X-Google-Thread: 110f55,d1152e73d3a6986f X-Google-Attributes: gid110f55,public X-Google-ArrivalTime: 1994-08-12 17:26:09 PST Path: bga.com!news.sprintlink.net!sashimi.wwa.com!gagme.wwa.com!not-for-mail From: rkh...@ukc.ac.uk Newsgroups: rec.arts.ascii,alt.ascii-art,alt.binaries.pictures.ascii Subject: Line: Muscial sigs Date: 12 Aug 1994 16:18:18 -0500 Organization: University of Kent at Canterbury, UK. Lines: 46 Sender: bob...@gagme.wwa.com Approved: bob...@wwa.com Message-ID: <32gour$7h...@gagme.wwa.com> References: <31rjka$t6...@infosrv.edvz.univie.ac.at> <Col...@equinox.gen.nz> <323ic6$om...@gagme.wwa.com> <325qqu$oj...@gagme.wwa.com> Reply-To: "R.K.Harding" <rkh...@ukc.ac.uk> NNTP-Posting-Host: gagme.wwa.com Xref: bga.com rec.arts.ascii:1217 alt.ascii-art:11157 alt.binaries.pictures.ascii:961
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